A Guest of Honor (Scott Joplin)
by Scott Joplin

A ragtime opera composed by Scott Joplin, the "King of Ragtime," based on the 1901 dinner at the White House where President Theodore Roosevelt hosted Booker T. Washington — an event that caused a national scandal. No score, libretto, or recording survives.
Confidence Map
Each section of this reconstruction is graded by the strength of its supporting evidence. Hover over a section to learn why.
General Description
speculativeA ragtime opera composed by Scott Joplin, the "King of Ragtime," based on the 1901 dinner at the White House where President Theodore Roosevelt hosted Booker T. Washington — an event that caused a nat...
Based on 3 cited source(s) and overall exhibit confidence of 15%.
Historical Context
highScott Joplin composed A Guest of Honor in 1903, shortly after his landmark ragtime pieces "The Entertainer" and "Maple Leaf Rag" had made him famous. The opera dramatised the October 1901 White House ...
Supported by multiple scholarly references.
Circumstances of Loss
mediumLost after Joplin's touring company disbanded; the score was likely confiscated or discarded when Joplin could not pay boarding-house bills
Loss date is documented, lending credibility to the account.
The Story of Loss
Cause: Lost after Joplin's touring company disbanded; the score was likely confiscated or discarded when Joplin could not pay boarding-house bills
Circumstances: The opera score was never published and the Copyright Office deposit copy is missing. Joplin's touring company disbanded after financial collapse in the summer of 1903. His personal effects, likely including the manuscript, were left behind at a boarding house. No performer, audience member, or associate is known to have preserved any musical material. The Copyright Office records confirm the work existed, but the music itself is entirely lost.
Date of loss: 1903–1910
Historical Context
Scott Joplin composed A Guest of Honor in 1903, shortly after his landmark ragtime pieces "The Entertainer" and "Maple Leaf Rag" had made him famous. The opera dramatised the October 1901 White House dinner where Roosevelt invited Booker T. Washington — the first time an African American had dined at the presidential table. The event provoked racist outrage across the South, and Joplin saw it as a powerful subject for opera. He submitted the work for copyright on 19 February 1903, and the Copyright Office acknowledged receipt, but no deposit copy survives in the Library of Congress. Joplin organised a touring company to perform the opera in the summer of 1903, with performances documented in at least five Midwest cities. The tour collapsed financially — the box office receipts were reportedly stolen. Unable to pay his company's bills, Joplin's belongings, likely including the score and parts, were confiscated or abandoned at a boarding house. The loss is devastating: Joplin spent the rest of his life trying to establish ragtime as a legitimate operatic form, culminating in his second opera Treemonisha (1911), which was barely performed in his lifetime. A Guest of Honor would have demonstrated that Joplin's operatic ambitions preceded Treemonisha by nearly a decade and engaged directly with the most explosive racial politics of his era.
Reconstruction Methodology
This exhibit's reconstruction was generated using AI analysis of historical records, scholarly references, and contextual evidence from the 1903 period. Each section of the reconstruction is tagged with a confidence level reflecting the strength of the underlying evidence.
Vestige reconstructions are scholarly tools, not definitive claims. They represent our best understanding given available evidence and are always presented with transparent methodology.
Cited Sources
- 1
King of Ragtime: Scott Joplin and His Era
Edward A. Berlin (1994)
- 2
Scott Joplin: A Guide to Research
Addison W. Reed (2010)
- 3
The Guest of Honor: Booker T. Washington, Theodore Roosevelt, and the White House Dinner That Shocked a Nation
Deborah Davis (2012)